Professional players had only just been allowed back into
the fold, so I was fortunate that all the world’s best exponents were
represented on our little telly during Wimbledon fortnight. That is, provided
there were no disputes over rival tours or tennis union boycotts, which had a
serious impact on Wimbledon in 1972 and 1973.
In those days, Americans and Australians were totally
dominant. Stan Smith, Arthur Ashe, Marty Riessen, the Richey siblings,
Billie-Jean-King and Rosie Casals flew the Stars and Stripes while the formidable Aussie
contingent included Rod Laver, John Newcombe, Tony Roche, Roy Emerson, Ken
Rosewall, Margaret Court, Evonne Goolagong and Kerry Melville.
Tennis also seemed such a simpler game to play. There were
no fancy serves or other extravagancies, but nevertheless plenty of skill. This
was exemplified by Rod Laver. He wasn’t tall, but his swinging leftie serves
could be lethal on grass, and of course he was one of the most successful
players of all time. Heaven knows how many more Grand Slam titles he would have
amassed had he renounced his professional status between 1964 and 1967. I
remember admiring the size of his left forearm although it wasn’t until we had
colour TV in 1974 that I realised he was a redhead like me. In ’71, like many
others, I was struck by the grace of young Evonne Goolagong who upset fellow
countrywoman Court in the Ladies Singles Final at Wimbledon. John Newcombe’s
blend of groundstrokes and effortless volleying also endeared him to me en route
to the Men’s title.
Perhaps the first final I can recall seeing in anything
approaching its entirety was the classic encounter between Stan Smith and Ilie
Nastase soon after my eleventh birthday in 1972. I really wanted the Romanian
clay-courter to win but the big blond American took it 7-5 in the fifth.
Looking at recordings it seems weird that they battled it out for well over
three hours on a hot afternoon without even sitting down. Ah, modern stars
don’t know they are born, right?!
The following year, 81 of the leading men stuck by their
principles and boycotted SW19 in protest at the expulsion of ATP union member Nicci
Pilic and left gaping holes in the seedings. Suddenly a whole raft of little
known European players left their mark on me. Nastase and Britain’s Roger
Taylor controversially defied the action but eventually it was the Czech Jan
Kodes who defeated the USSR’s Alex Metreveli in the final. I watched as usual
but the men’s tournament felt like a second-class event,
There were other Europeans around in the Seventies. Spain
boasted Manuel Orantes and Andres Gimeno, Holland’s Tom Okker was always
watchable, and the Italian Adriano Panatta did his best on the fast grass
courts. In the women’s game, Francoise Durr was a consistent seed
despite possessing surely the weakest serve I’ve ever witnessed outside my own
back garden! The continent even provided both finalists in 1977 when our own
Virginia Wade defeated Dutchwoman Betty Stove in front of the Queen in the centenary
championships.
But tennis was a-changing. When I first followed tennis,
three of the four Grand Slam tournaments took place on grass, so it was
inevitable that the most successful players were strong servers and superb
volleyers. Unlike today, when singles and doubles are almost completely
segregated by the need to specialise, the rankings in each format looked
remarkably similar. Newcombe and Roche, Lutz and Smith, King and Casals,
Metreveli and Morozova were familiar pairings. As grass lost its stranglehold
on the circuit, so did the serve-volleyers. A new breed of tennis star began to
emerge.
I confess I never liked watching Chris Evert. She never
strayed far from the baseline nor seemed to hit the ball particularly hard and
yet her ability to create rally-winning angles was hugely successful. In 1974,
the 21 year-old Jimmy Connors kick-started the shift
towards double-handed backhand strokes (anathema to me, although Dad said that was how he was taught as a child), back-of-court
power-hitting and, worst of all, grunting with every shot. It did him no harm;
nobody, not even Roger Federer, has surpassed his record of professional tour
victories and titles. When the inscrutable Swede Bjorn Borg upset the applecart
in ’76, and John McEnroe’s brattish behaviour but sublime tennis appeared the
following summer, Wimbledon would never be the same again.
Gene Mayer also made a telling contribution. In the
mid-‘70s, the American top-ten player was a pioneer of a new weapon of choice. When
I first saw his large-headed ‘graphite’ racket, I felt he was cheating. It
appeared to dwarf the traditional wooden equipment and, with a sweet-spot the
size of Wales, it quickly became evident that it gave its users a distinct
advantage. McEnroe was one of the last to switch but not even he could hold
back technological progress.
The decade ended with me at university and tennis
revolutionised. The old US-Australia duopoly had been broken, balls were being
struck with greater ferocity, Britain was back in the tennis doldrums, a sturdy
teenager from Prague called Martina Navratilova gave the Eastern Bloc its first
global sporting superstar and Borg was inspiring a new generation of earnest
boys from Sweden to pick up a racket; a racket that was no longer made from
timber. I was nineteen and already way behind the times….